![]() “There's so much written about how these records are created and what microphones they used and what my father's role was and what trousers people were wearing, et cetera. The one thing that the new mix of Abbey Road shows off is how good their backing vocals were.” It has a slightly more contemporary feel it's acoustic. “The biggest streaming Beatles song, the one that's the most listened to. On the original, they just stand in place.” They move from right to left, or right to center. So we actually took each individual drum hit and we panned the drums. With 'Come Together,' we did that, and then it just didn't sound as good. The first thing we normally do when we remix Beatles stuff is we put the drums in the center. It's the one track that Ringo and Paul said to me, 'We were really good on this day.' It shows a sophistication as far as playing goes, how far The Beatles have come-they're basically taking what was originally a blues song and completely standing it on its head. It's the band playing live, and it's one of their greatest performances. The reason why is because it's so simple-there's not much on it. They are the bedrock of popular music for so many people.” To help wade through the embarrassment of riches, Martin highlights a handful of tracks that best show The Beatles in this last unified moment before fracturing, and that are most revelatory in newly remixed form. I would love younger generations, or new listeners, or people who weren't aware, to go back and listen to The Beatles. I'm interested in seeing if you can switch someone from hearing to listening audiophiles listen to mixes and people listen to songs. “One of the things we strive for in doing these mixes is so that when people listen to, say, Apple Music, you can have a playlist or a radio station with The Beatles next to Ed Sheeran. The goal of the project is not just to appeal to Beatles obsessives, but also to recontextualize what the album means for a contemporary audience and to upgrade the sonic fidelity to match what they are used to hearing. (A highlight of the latter includes the band bantering about noise complaints from Abbey Road neighbors while recording “I Want You ”.) Pepper's Lonely Hearts Club Band in 2017 and the White Album in 2018, Martin has painstakingly rebuilt The Beatles' 11th and penultimate album piece by piece, and also unearthed a trove of demos and alternate tracks. And as he did with the 50th anniversary reissues of Sgt. It doesn't sound like it was recorded in the '60s.” What the album does sound like-and how it got to sound that way-is of particular interest to Martin, whose late father George was the Fab Four's original producer. “Because it's the most contemporary-sounding album. “ Abbey Road as a whole, as an album, is a very good gateway to the rest of the Beatles universe,” producer Giles Martin tells Apple Music. ![]()
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